Marshall

主演：,安德鲁·奥尔特伯格,琼·施赖纳,劳伦·科汉,德蒙特·莫罗尼,威尔·罗伯茨,Charles,L.,Smith,II,塔莉亚·贝松,Dana,Andersen,卢西亚娜·凡德特,Katharine,Everett,Eli,Samek,Theo,Marshall
简介：罗斯和迈克尔是一对正在逃离过去的年轻夫妇，一颗毁灭性的小行星威胁着地球上的生命。为了在生命的最后几天寻找意义和刺激，他们开始了越野旅行。

主演：瑞秋·布罗斯纳安,迈克尔·泽根,艾利克斯·布诺斯町,托尼·夏尔赫布,玛琳·辛科,凯文·波拉克,扎克瑞·莱维,简·林奇,卢夫斯·塞维尔,卡罗琳·阿隆,威尔·伯瑞,贾斯汀·卢佩,乔尔·约翰斯通,布赖恩·塔伦蒂诺,卢克·柯比,艾米莉·贝吉尔,丹尼尔·斯图尔特·谢尔曼,林恩·科恩,马提欧·帕斯卡尔,约翰·斯库蒂,埃里克·帕拉迪诺,马蒂尔达·斯齐达吉斯,PJ,Marshall
简介：这一季，米琪（蕾切尔·布罗斯纳罕 Rachel Brosnahan 饰）在经纪人苏西（艾利克斯·布诺斯汀 Alex Borstein 饰）的帮助下继续着她的脱口秀梦想。而一直以来矜矜业业扮演着家庭主妇角色的米琪的母亲罗斯（玛琳·辛科 Marin Hinkle 饰），却突然觉醒了女权意识。她抛弃了总是无视自己的丈夫艾博（托尼·夏尔赫布 Tony Shalhoub 饰），前往巴黎完成自己的艺术梦想。　　在离开了米琪后，乔尔（迈克尔·泽根 Michael Zegen 饰）回到了父母所经营的工厂干活，却发现那里的账目亏空管理混乱，与此同时，他和米琪的心中都还有着对彼此的留恋。米琪在度假期间结识了一名外科医生（扎克瑞·莱维 Zachary Levi 饰），两人之间似乎有着碰撞出火花的趋势。

主演：汤姆·威灵,艾莉森·麦克,克莉斯汀·克鲁克,迈克尔·罗森巴姆
简介：上一次我们见到ClarkKent的时候，他的胸口被蓝色的氪水晶刺中，从一栋高楼上掉了下去。Clark当然死不了！不然哪有「未来」的超人？「Kent老爸」本季会露上一面，超女（Sorry，不是那个「超女」）也会。不过，超女可能要杀Lois。Chloe本季只有五集戏份－－在那之后，AllisonMack将离开该剧。不过不要紧，第10季本来就是该剧的最后一季。终于大结局了！虽然该剧没能打破《星际之门SG-1》创造的「美国最长科幻剧」的记录，但也平了这个记录。具有讽刺意味的是，正当剧组宣布将Chloe「扫地出门」时，漫画书版权商却宣布将这个《超人前传》原创的角色正式加入《超人》的官方体系，使之成为一个「合法」的《超人》角色。在新季首集中，Lois找到了失去知觉的Clark，从他胸口拔走了蓝色氪水晶，Clark开始自我治疗。但是在Clark清醒之前，Lois偷偷溜走了。为了寻找Oliver，Chloe不得不询问一些她本来不可能去问的人。Jonathan回到Kent农场，给Clark带来了一条消息。Tess在LuthorCorp公司的实验室里醒来。

主演：詹姆士格兰恩德斯,黛拉格·坎贝尔,丹尼尔·法瑟斯,卡罗琳·雷诺,阿莱克斯·伍兹,Konima,Parkinson-Jones,Taylor,Thorne,约翰·诺瓦克,Justin,James,Remeikis,汉娜·高威,Caleb,Marshall,Ayesha,Mansur,Gonsalves,Philippe,Poirier,Stephane,Paquette,Claire,Riley
简介：五个人突然醒来，他们发现自己在一艘外星人的母船上。他们发现自己的情感波动会影响到这艘船的动力。他们意识到原来外星人已经绑架人类的历史已经数百年之久了。他们决定秘密脱困，并和外界的美军士兵取得联系逃出生天。

主演：Joe,Bocian,,Brian,Landis,Folkins,,Jenice,Marshall,,See,full,cast,,crew
简介：一對受過醫學訓練的兄弟，平日專門冒充醫護人員，開著救護車載走傷患，再迷昏他們活摘器官，把搶手的肝腎、心臟等賣往黑市，剩餘的屍體則肢解丟棄。某天，兩兄弟一如往常帶回一名女子，負責主刀的哥哥卻不知怎麼地忽然心軟，破天荒讓她在手術台上活了下來，但這個決定，也將為兩兄弟的深厚情感，帶來極大的考驗…

主演：James,Marshall,娜奥米·沃茨,艾瑞克·泰尔,迈克尔·艾恩塞德,爱德华·赫曼,丹·哈达亚,朗·普尔曼,凯瑟琳·迈瑟尔,威廉·范德普耶,Wilke,Durand,托德·博伊斯
简介：影片讲述了一个电梯无故困人杀人的故事。纽约著名地标建筑----千年大厦的电梯突然失控，一名盲人和保安先后因此离奇毙命。这仅仅是突发事故吗？女记者詹妮弗对此展开调查，设法解开电梯神奇行为背后的秘密。然而，随着她调查的深入，因电梯而死亡的人数越来越多，调查也演变为一场意想不到的噩梦……

主演：凯恩·霍德尔,比尔·莫斯利,Allie,Marshall
简介：Jackson and Emily aren't like the other kids. Two burgeoning sociopaths on the brink of total meltdown. Ticking time bombs seeking revenge. Who will unravel first

主演：露皮塔·尼永奥,乔什·加德,亚历山大·英格兰,Nadia,Townsend,斯蒂芬·皮科克,Kat,Stewart,M.J.,Kokolis,萨基亚·伯梅斯特,Talayna,Moana,Nikora,迪塞尔·拉托拉卡,亨利·尼克松,Marshall,Napier,Hudson,Brande,Lucia,Pang,Rahel,Romahn,费利克斯·威廉森,艾娃·卡约菲丽斯,杰森·庄,克里斯蒂·布
简介：露皮塔·尼永奥、乔什·加德或将加盟僵尸题材恐怖喜剧[小怪兽](Little Monsters，暂译)，与亚历山大·英格兰([异形：契约])上演对手戏。故事讲述一位不得志的音乐家，对侄子的幼儿园老师产生好感，自愿担任起陪护老师，护送他们参加儿童音乐节。而音乐节主办人也对老师展开爱情攻势，正当三人关系陷入窘境，僵尸来了！

主演：Jason,Lively,汤姆·阿特金斯,Steve,Marshall,Jill,Whitlow,Wally,Taylor,Bruce,Solomon,Vic,Polizos,艾伦·凯瑟,Ken,Heron,Alice,Cadogan,June,Harris,大卫·佩默,David,Oliver,Evelyne,Smith,Ivan,E.,Roth
简介：In 1959, an alien experiment crashes to earth and infects a fraternity member. They freeze the body, but in the modern day, two geeks pledging a fraternity accidentally thaw the corpse, which proceeds to infect the campus with parasites that transform their hosts into killer zombies.

主演：Marshall,Thompson,Shirley,Patterson,Kim,Spalding
简介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.　　The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).　　Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH).　　As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.　　The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome.　　For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.　　The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!)　　Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.　　This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from.　　As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.